#BEHEMOTH DEMIGOD FULL#

This entire album is incredibly impressive, even for a band thatвЂ™s already established themselves as capable of producing some of the best metal around. The guitarwork is honestly some of the best IвЂ™ve ever heard in terms of leads вЂ“ IвЂ™m completely astonished when I hear some of the harmonies and solos, like the one on вЂњXulвЂќ, done by Karl Sanders ofВ Nile. They spontaneously break into another excellent and infectious acoustic part at the end of вЂњThe Nephilim RisingвЂќ, giving the perfect preface to the following track, the blasting вЂњTowards BabylonвЂќ. On вЂњConquer AllвЂќ, it sounds like thereвЂ™s ten different copies of Nergal, all rabid and throwing up blood into your speaker. ThereвЂ™s a light-speed dissonant riff played in the middle of it that needs to be heard to be believed. Beginning with a well written acoustic part, DemigodВ kicks off with вЂњSculpting the Throne ov SethвЂќ, which has a Middle Eastern feel to it. TheyвЂ™ve kept theirВ Morbid AngelВ tone, their huge production, riff harmonics, machine-gun drumming, and have continued to play some of the more inventive guitar solos in the genre. With their trademark Polish death/black stylings, they tear through ten new tracks clocking in at about 41:00. TheyвЂ™ve been releasing great albums that maintain their original sound, and DemigodВ is no exception. If thereвЂ™s one thing they should be praised for, itвЂ™s their consistency. If that doesnвЂ™t give you respect for the occult-enthusiasts behindВ Behemoth, I donвЂ™t know what will. Why canвЂ™t other bands do this? IвЂ™m not talking about writing four mind-blowing albums in the course of five years, IвЂ™m just talking about even releasing four albums in five years.

#BEHEMOTH DEMIGOD FULL#

SoВ BehemothВ put out another album, making this their fourth full length since 1999.

Behemoth demigod